Everybody
Listen to me
And return me, my ship
I'm your captain, I'm your captain
Though I'm feeling mighty sick
I've been lost now
Days uncounted
And it's months since
I've seen home
Can you hear me, can you hear me
Or am I all alone?
If you return me
To my home port
I will kiss you
Mother earth
Take me back now, take me back now
To the port, of my birth
Am I in my cabin dreaming
Or are you really scheming
To take my ship away from me
You'd better think about it
I just can't live without it
So please don't take my ship from me
Yeah, yeah, yeah
I can feel the hand of a stranger
And it tightening around my throat
Heaven help me, heaven help me,
Take this stranger, from my boat
I'm your captain, I'm your captain
Though I'm feeling mighty sick
Everybody, listen to me
And return me my ship
I'm your captain, yeah, yeah, yeah, yeah
I'm your captain, yeah, yeah, yeah, yeah
I'm your captain, yeah, yeah, yeah, yeah
I'm your captain, yeah, yeah, yeah, yeah
I'm getting closer to my home
I'm getting closer to my home
I'm getting closer to my home

"I'm Your Captain (Closer to Home)" is a 1970 song written by American musician Mark Farner and recorded by Grand Funk Railroad as the closing track to their album Closer to Home. Ten minutes in duration, it is the band's longest studio recording. One of the group's best-known songs, it is composed as two distinct but closely related movements.
The song is composed in the compound binary form that was most popular, and used for several well-known songs, in the late 1960s and early 1970s.[2] The first movement opens with an electric guitar riff from Farner, which aspiring young guitarists of the time learned to imitate.[3] This soon changes into a strummed acoustic guitar paired with a distinctive lead bass line from Mel Schacher, set against a steady drumbeat from Don Brewer accompanied with occasional wah wah guitarflourishes. The chord changes go from D to G to G6/C.[3]
The story ostensibly deals with a ship's captain on a troubled voyage and facing a mutiny from his crew. Farner's vocal of the pleading lyric begins:
The music has a bass break and then drops down to half time before resuming at its normal tempo. The protagonist's plight becomes worse, with the captain's pleas continuing while the unhappy crew members are approaching the point of murder.
At the 4½-minute mark the song switches to the second movement, which begins with the sounds of waves and gulls. The captain's voice is tinged with a sense of hopeless longing, perhaps even indicating that it is his ghost now singing:
Again the bass line carries the music, with now a flute line accompanying it. Soon the strings from the orchestra, make their entrance, featuring violins, violas, cellos, and basses. The second movement starts at a fairly slow tempo, before speeding up somewhat into its repeats.[2][4] The significant chord progression in this part is from C to B♭add9.[5] The movement's single lyric repeats over and over as a mantra, in the style of Van Morrison. Around the 7-minute mark a full orchestra appears to accompany the band to the gradually fading conclusion.
Unusually for him, Farner wrote the lyric of the song first, with the words coming to him in the middle of the night after saying prayers for inspiration to write something meaningful.[6][4] The chord changes to "I'm Your Captain" came to him the following morning between sips of coffee, and the following day he took it to the band.[6]They immediately liked it and began jamming on it and working out their parts at a local union hall in their hometown of Flint, Michigan where they usually did their rehearsals.[4]
But after a while they had no ending for the second movement. Inspired by groups like The Moody Blues,[4] they came upon the idea of using an orchestra, and hired Tommy Baker, an arranger and trumpet player who was working on the Cleveland television series Upbeat.[6] He suggested they extend the ending so that his orchestral score would have space to develop in,[6] so the band extended the jam on it.[4] Producer Terry Knight brought in the Cleveland Orchestra to record it.[7] The band members never heard the full version until Knight played it for them back in Flint.[8] Farner nearly cried when he heard it, and Brewer has said of their reactions, "We were just like, 'Wow!'" and "Oh my God, it was magnificent."[6][4]