Turn the beat around
Love to hear percussion
Turn it upside down
Love to hear percussion
Love to hear it
Blow horns you sure sound pretty
Your violins keep movin' to the nitty gritty
When you hear the scratch of the guitar scratchin'
Then you'll know that the rhythm carries all the action, oh yeah
Turn the beat around (turn it around)
Love to hear percussion
Turn it upside down (turn it up, turn it up, turn it upside down)
Love to hear percussion
Love to hear it
Turn the beat around
Love to hear percussion
Turn it upside down
Love to hear percussion
Love to hear it
Flute player play you're flute 'cause
I know that you want to get your thing off
But you see I've made up my mind about it
To me it is the rhythm, no doubt about it, woah, woah
'Cause when the guitar player starts playing
With the syncopated rhythm, with the scratch, scratch, scratch
Makes me want to move my body yeah, yeah, yeah
And when the drummer starts beating that beat
He nails that beat with the syncopated rhythm
With the rat, tat, tat, tat, tat, tat, on the drums, hey
Turn the beat around (turn it 'roud and 'round and 'round)
Love to hear percussion
Turn it upside down
Love to hear percussion
Love to hear it
Love to hear it
Love to hear it
Love to hear it
Turn the beat around (turn the beat around)
Love to hear percussion (turn the beat around)
Turn it upside down
Love to hear percussion
Love to hear it
Turn the beat around
Love to hear percussion
Turn it upside down
Love to hear percussion
Turn the beat around (turn the beat around)
Love to hear percussion
Turn it upside down (turn it upside down)
Love to hear percussion
Love to hear it!

"Turn the Beat Around" was written by brothers Gerald and Peter Jackson of the R&B outfit Touch of Class. Peter Jackson knew Al Garrison, an engineer at Associated Studios in New York, via his [i.e. Peter Jackson's] work as a session drummer, and it was at Associated Studios that Touch of Class cut its own demos. Peter Jackson recalls that one Sunday at noontime "I called Al and said...we want to come in and [cut a] demo...He was leaving at four...He said: 'My girl[friend]’s coming to pick me up for dinner. You have to be done [by then]."[3]
Garrison's girlfriend turned out to be singer Vicki Sue Robinson whose debut album was nearing completion requiring one additional track. On arriving at Associated Studios that Sunday, Robinson overheard the playback of the "Turn the Beat Around" demo which Touch of Class had just recorded and according to Peter Jackson said: "Oh, man, I’ve gotta have that song." Gerald and Peter Jackson initially demurred, wishing to submit "Turn the Beat Around" along with four earlier demos to be green-lighted for the Touch of Class debut album.[3]
Peter Jackson - "Monday [the next day], Gerald and I go up to Midland [Touch of Class' label]. We’re excited because we know this song ["Turn the Beat Around"] is slammin’...[Midland] took the other four songs and they passed on that one. They said: 'We don’t like that one. The lyrics move too fast. You have that jungle beat in there. It’s not what’s happening'." Peter Jackson resultantly called Vicki Sue Robinson to give her the song for her album. When Jackson told Robinson: "'I’ll meet you down on Thirty-Fourth Street [with the demo]' she said: 'I [already] made Al give me a copy.'"[3]
Robinson recorded "Turn the Beat Around" on September 26, 1975, cutting her lead vocal in a single take after recording her own multi-tracked chorale vocals. Like the other cuts on Robinson's debut album Never Gonna Let You Go, "Turn the Beat Around" was recorded at RCA Studios with producer Warren Schatz who recalls the basic master of the song was recorded "on a Friday after a very depressing week of rain [and] I hated [the track]! I listened to it in my office and I just couldn't get it. It had been such a bad week that I just couldn't hear anything with an open mind. Then David Todd, the head of disco promotion at RCA, came into my office and he went crazy over the track! He convinced me to finish it as soon as possible."[4]
Issued as a single in February 1976 "Turn the Beat Around" became a club smash subsequently breaking on Top 40 radio in Boston - where it would reach #1 that June - to make a gradual ascent on the national Pop chart: the Billboard Hot 100 to reach a #10 peak in August 1976.